NODE

A special sector for large-scale and immersive works of art that go beyond what is possible in a typical art fair booth to play a placemaking role within the fair.

Ideas Forum | 思想串流論壇

The overarching theme of “Collecting as Culture” will feature discussions on “Private Institutions in the Public Eye”, “Making Antiques Contemporary”, “Civics and Collections”, and “A New Approach from a New Generation”. This framework will be supplemented by a series of keynote talks by young collectors, curators and media owners participating in the fair.

圍繞在「以收藏作為文化（Collecting as Culture）」此一命題，針對「私人收藏與公眾之眼」、「以當代視角重回古董收藏」、「公共機構收藏策略」、「新世代的收藏取徑」等子題進行系列講座。

Taipei Platform | 台北開放平台

Taipei Platform collaborates with diverse independent cultural institutions and other partners, who invite visitors to participate in workshops, tours and pop-up events. The program offers an expansive view of the local cultural ecosystem, and will this year partner with Artpartment, PAPERMATTER, PE Fine Art and Giloo, dmp projects and Fotobook DUMMIES Day.

台北開放平台（Taipei Platform）與來自不同領域的獨立文化機構合作，將於展會期間舉行工作坊、藝術導覽及快閃活動等多元節目，提供在地文化藝術生態面面觀。今年的參與夥伴包含：Artpartment 藝術公寓、PAPER MATTER、埤益 PE Fine Art、Giloo 紀實影音、dmp projects、傻瓜書日 Fotobook DUMMIES Day 等。

Cultural Partners | 文化夥伴

Whether spotlighting their world-leading corporate art collections or introducing transgressive interventions by emerging artists from the local art scene, the Cultural Partners program represents integral components of the art infrastructure. Exhibiting partners include UBS Art Studio, CTBC Foundation for Arts and Culture, Hong Foundation and Jut Art Museum.

本計畫邀請到數間活躍於本地藝術社群的機構亮相展會。從精選呈現新生代台灣藝術家，到國際頂尖企業收藏，涵蓋藝術產業基礎中所有重要面向。今年展出單位包含瑞銀藝術空間、中國信託文教基金會、洪建全基金會，以及忠泰美術館。

UBS Art Studio 瑞銀藝術空間

The UBS Art Studio showcases publications about the UBS Art Collection and digital content demonstrating the firm’s long history of supporting contemporary art, artists and their craft. The UBS Art Collection is considered one of the most important corporate collections of contemporary art in the world. It currently includes more than 30,000 paintings, works on paper, photographs, sculptures, videos, and installations. Most of these works are displayed in UBS offices globally, serving as an inspiration for employees and a platform for dialogue with clients and the public.

瑞銀藝術空間將展示關於瑞銀藝術藏品的書籍和瑞銀與藝術的錄像內容，彰顯瑞銀對當代藝術、藝術家及其工藝的長久支持。瑞銀藝術藏品被視為最重要的當代藝術企業收藏之一。藏有超過30,000 件藝術作品，包括油畫、紙上作品、攝影作品、雕塑、影像及裝置作品等。大部份的藝術品都在瑞銀世界各地的辦公室和紐約瑞銀藝術畫廊（UBS Art Gallery）展示，為員工提供靈感，同時與客戶分享我們對藝術及收藏的熱誠。

CTBC Foundation for Arts and Culture 中國信託文教基金會

中國信託文教基金會致力推廣藝文，展出呈現台灣現當代藝術史脈絡的繪畫作品。本次向中國信託銀行借展典藏品，包含：王攀元的〈引領〉在油畫質地中帶有水彩的空氣感、流動性，同時具有東方水墨的意象；映照、對話張光賓以「焦墨散點皴」技法描繪山水風景的水墨紙本作品〈雙溪古道〉、〈林屋梵音〉、〈崖壑幽栖〉。而中信文教基金會典藏的第一屆中國信託當代繪畫獎優選得主蘇煌盛的〈今宵多珍重〉，則反映了青壯世代藝術家對於傳統媒材的創新、化約為個人具標誌性的藝術語彙。

CTBC Foundation for Arts and Culture is committed to promoting art and culture, showcasing a collection of paintings that represent the modern and contemporary art history of Taiwan. The exhibition featured the paintings by Wang Pan-Youn and Chang Kuang-Bin from the collection of CTBC Bank, and Su Huang-Sheng’s work from the foundation’s collection. Wang Pan-Youn’s To Wish combines the texture of oil painting with the airy and fluid qualities of watercolor also incorporates imagery reminiscent of traditional ink painting. Chang Kuang-Bin employs techniques such as “scattered-dot cùn” and “ordered-dot cùn” to depict landscapes in his ink-on-paper works An Ancient Road in-between Two Creeks, The Echo in the Mountain Valley, and A Landscape of Deep Gullies and High Cliffs. In the last, the recipient of Merit Award of the inaugural CTBC Painting Prize, Su Huang-Sheng, presents his ink and mineral pigment on silk work Cherish Every Moment Before Tonight. This piece reflects the innovative interpretation of traditional media by young artists, distilling it into his distinctive artistic vocabulary.

Hong Foundation 洪建全基金會

本次台北當代藝術博覽會與曾獲洪建全基金會年度百萬贊助「銅鐘藝術賞」之藝術家鄭先喻合作，首度展出新作《Credit makes you Free》。一反常態地，《Credit makes you Free》將博覽會中尋常的展位，改造成吸引人流進入的白盒子陷阱，踏入陷阱的觀眾將決定是否以感應信用卡換取自由，以此回應市場機制底下的多面性。延續鄭先喻長期以來對於科技藝術的探索、以幽默的手法讓觀眾在與作品的互動間思考。

洪建全基金會自七〇年代創立起，即投入文學、歷史、哲學、音樂等領域的推廣，於2000年後更擴及到當代藝術，以藝術贊助為核心與藝術家展開合作，探尋藝術創作中具開創性的洞見。期待藉由長期的藝文支持，讓創作的能量打破藩籬，持續為藝術生態挹注能量。

The Hong Foundation has invited artist Hsien-Yu Cheng, the recipient of the Tung Chung Prize 2019, to turn the entire booth into a trap with an ulterior motive: as potential collectors step into this white space, the artwork’s mechanism is triggered, initiating the choices of trading. Within this international art trading platform, which involves artists, galleries, and collectors, Cheng Hsien-Yu assigns the power of “pricing” to all participants. This act of pricing compels every individual within the artwork to reconsider the exchange value of various resources such as time, art, and freedom. The booth itself becomes a work called Credit Makes You Free, extending the reflection on the art trading mechanism in the art trading platform.

Since its founding in 1971, the Hong Foundation had invested in promoting education and fostering culture in the fields of literature, history, philosophy and music. After 2000, the foundation broadens its scope to contemporary art. Through commissions and direct sponsorships, the foundation provides sponsorship programs of varying scales to artists working at various stages of their careers, continuing its mission to energize the art ecosystem.

Jut Art Museum 忠泰美術館

忠泰美術館(Jut Art Museum)成立於2016年，是忠泰建設成立三十週年、忠泰基金會設立十週年，在台灣建築文化推廣之路的重要里程碑。期許成為一座肩負企業社會責任，並回應21世紀社會需求的新形態平台、觸媒與智庫；延續忠泰建築文化藝術基金會之「A better tomorrow」信念，成為台灣首座聚焦「未來」與「城市」議題的美術館。

Jut Land Development’s 30th anniversary, and the Jut Foundation for Arts and Architecture (JFAA)’s 10th birthday, culminates in the establishment of the Jut Art Museum (JAM) in 2016. It is a milestone commemorating the history of Taiwan’s architectural aesthetics.

JAM acts as a new form of platform, catalyst and think tank devoted to corporate social responsibility fulfillment and addressing the societal dynamics of the 21st century. The museum also carries on the legacy of “A Better Tomorrow” that defines much of JFAA’s work, to become the first museum in Taiwan that is focused on the issues of “future” and “city.”

Cafe Culture | 咖啡文化

Cafe Culture is a new lounge area within Taipei Dangdai featuring a large-scale map where visitors can learn more about the exhibitions on view at a wide selection of museums and other art institutions in Taipei and across Taiwan, such as Kaohsiung Museum of Art, Taoyuan Museum of Fine Arts, Kuandu Museum of Fine Arts and Winsing Arts Foundation. Cafe Culture will also feature a selection of art by local children offered for sale by Little Art, with proceeds going to charity.

咖啡文化（Cafe Culture），是展會現場增闢的休息區。該區將陳列大型台灣藝文地圖，讓觀眾一覽台灣各地博物館及藝術機構的當季展演資訊，包含高雄市立美術館、桃園市立美術館、關渡美術館、文心藝術基金會等單位。本區也將呈現由 Little Art 天才巧克力幼兒塗鴉空間規劃展出精選兒童藝術作品並進行販售，所得款項將做公益之用。

Before Thunders: An Exhibition of Taiwanese Artists｜雷前－臺灣藝術家群展

For the first time, Taipei Dangdai Art & Ideas will present a curated exhibition within the fair co-hosted by the Ministry of Culture. Titled “Before Thunders: An Exhibition of Taiwanese Artists”, the exhibition focuses on the work of a dozen largely mid-career artists selected by four curators who will participate in the Ideas Forum 2024: Zian Chen, Martin Germann, Esther Lu, and Wong Binghao. This project supports the fair’s core goal of bringing art from Taiwan from across the spectrum—from those represented by the leading galleries participating in the fair to those working largely outside the market—to greater international attention and demonstrates the fair’s ongoing interest in building partnerships with public and private organizations throughout Taiwan’s vibrant art scene.

台北當代首次與文化部共同主辦的特展區「雷前 – 臺灣藝術家群展」，聚焦台灣中生代藝術家，是由受邀出席本屆思想串流論壇（Ideas Forum）的策展人陳璽安、馬丁・格曼、呂岱如、黃炳豪共同策劃。該展區彰顯出台北當代的核心目標，即為國際觀眾介紹台灣藝壇的多樣性，囊括呈現來自頂級參展畫廊的藝術家以及市場機制外的多元藝術風貌，並顯示了展會長期致力於與台灣公立及私人藝術機構建立聯繫的決心。